General Information for placement
When using the charts included in this document, the measurements are based on the following places to measure.
(A) is the distance from the shoulder seem wear it meets the collar, down to the middle of the design.( is over from the center of the garment, if it has a zipper or buttons it should be measured from their.
All measurements are in imperial system ( inches )
Recommended standard designs for a left chest should be around 2.25 inches
Original text by: Katya Ebber
Your hoop is not one-size-fits-all. You become acutely aware of it when you need to embroider lace ribbons or edgings. This master-class will tell you how to align machine embroidery designs with lace so that the joining places could not be seen. This master-class shows working in the embroidery design software (creation of the alignment crosses), and also the embroidery process.
Preparing the design in Embird
Load a chosen machine embroidery design
Original text by: Lisa Prass
The problem of splitting a design emerges when a beginner understands that his (her) embroidery machine does not recognize the design only because it exceeds maximum size and does not fit the largest hoop that comes with the machine. Or, it fits the giga hoop, but the machine still fails to recognize it. If you have encountered such a problem, this article is for you.
Splitting a machine embroidery design
First, I want to mention that here we'll d
Original text by: Irina Lisitsa
To demonstrate the process of making an openwork embroidery I chose two-thread french terry, because this type of knitwear is stable, trimming distorts it very little, and therefore, is perfect for this machine embroidery technique. You can do this on any sewing or embroidery equipment. The making process is the same as with openwork and cutwork embroidery on any other fabric. This master-class will help the beginners to understand that machine embroidery on
Original text by: Marina Belova
I have once written a guide to all sorts of embroidery stabilizers (fusible interfacing materials) for manual embroidery. As we all know, the market is full of such auxiliary materials, which can be helpful to an embroiderer. Nevertheless, in these days I often think that not all of them are useful for me in my day-to-day work.
In the past I used to buy a lot of stabilizers of various brands, to see if they could be really helpful. I liked some of them
Avoiding pit falls of working with Caps
When dealing with your customers you may need to educate them on what the placement and size of the logo for your particular machine is, as often the customer will want the designs to be too large for the cap frame. Some cap frames can accommodate a 270 degree rotation and some only do 180 degrees, the height will depend on the hat.
Rule 1 , Placement
If you are reading this article, it means that your interest for machine embroidery has overcome the beginner stage, and you have decided to master the embroidery software to choose the right one for creating cross stitch patterns. A lot of manufacturers, in order to increase embroidery editor capability, add a software module that allows creating cross stitch patterns and saving them into the formats recognized by the embroidery machines. What are these software products you'll learn from this
Original text by: Lena Craftwork
Sometimes you need to add a nice edging to an item. There are many ways to do it, and we will see one of them here: creating a lace edging. You can decorate a napkin, a handkerchief or any other item with lace. There are numerous FSL machine embroidery designs; choose the one that suits you and matches your item.
Water soluble stabilizer
Fabric for your napkin
In the embroidery industry whether you are new or be in the industry for a while. You will be asked to make some embroidery design that might make you wonder how to do that. 3D Puff embroidery design is one topic that I find I get asked about all the time. How do I make my designs stick off the hat .. Well its actually not that difficult, and you only need some basic tools, including the run tool, satin tool and possibly the fill tool.
If you need to just
This is most often a problem. When you try to open a file in PES format BROTHER PE-DESIGN NEXT you get message "unexpected format". This problem is related to a large number of embroidery formats that are supported by the company and its Brother embroidery machines (currently 9). Or in error if you convert file in some converting software (Embird, Buzz Tools....etc).
For fix this problem, you need using import DST, HUS, JEF, EXP, VIP, VP3, XXX, PEC formats.
Procedure for opening and sa
Small Letter Introduction
In this Blog we will discuss terminology, techniques and how to digitize small letters for best results. There is no one rule for all fabric when it comes to digitizing small letters as every fabric will sew out a little bit different and some experimentation will need to be observed. We have included some terminology to help you with terms and measurements.
General Rules for small letters
1) Machine Settings: Approximate speed of 400 stitches per minute.
In some areas of leisure you will find niche markets, I have found one being able to make custom carpets for custom cars and sport fishing boats. So if you live near the water this is something you may want to offer, or if you have any car clubs in your areas. First you need to make a sample and bring it to car shows etc, or display it at your local dealers.
Hi have done mats like the like the item Below, this was actually done for a young kids room.. As it was not going to be exposed to el
In this blog we will look at preparing the fabric for your designs, and understanding why you should use a particular type of underlay in building a foundation for the machine embroidery design.
There are many names for the basic types of underlay in Pulse products you have several types, including Contour, Parallel , Perpendicular, Zig Zag, Lattice , Full Lattice and Center run.
When no underlay is applied, the embroidery thread making up the satin
Original text by: Nata Beloshveika
Many of you have received big orders for t-shirts embroidered with logos. Sometimes rehooping takes more time than the embroidery process itself. I mean, the embroidery has to be in the same place on all items, if possible.
So what do we do? Should we do the measuring and marking every time? But it is quite a laborious task, and boring, too.
A solution exists! I want to show you my way of doing it.
Embroidery on t-shirts. Materials and to
Original text by: Olga Ionova
This master-class will tell you how to do cutwork embroidery. Cutwork embroidery has its own aspects, and if the design is beyond the hoop so that you have to join its parts together, the amount of the aspects doubles. This master-class will tell you how to do cutwork with alignment and border designs without the special hoop, but with the help of alignment stitches instead.
Cutwork embroidery. Materials:
• Fabric or an item to be embroidered
The new Tajima DG15 uses the same platform as Tajima DGML by Pulse Version 14 so the look and feel of the layout should seem quite familiar for those migrating over from version 14.
If your migrating over from version 11, 12, or 13 you may want to read the document on setting your embroidery digitizing software up as many tool bars, and settings are optional.
While this version looks quite similar to Version 14 they
Original text by: Lisa Prass
So, you have created or downloaded a machine embroidery design that does not fit you hoop. Now, to embroider the design, you should take a series of actions to split it. In this lesson I will show you how to split a design, how to add the alignment stitches and crosses, and how to save it into two different files, using a "Stitch" machine embroidery design in Photostitch technique as an example. The process includes several basic steps...
Splitting a design
When learning to use your embroidery digitizing software and or digitizing you will need to know how to work with files and file types when re-sizing etc. Embroidery Files In newer versions for Tajima DGML you can open various types of file format list below ; PXF, POF, PED, KWK, PSF, PCH, EMD, DST, TBF, TCF, EMB, ART, PEC , PES, DSB, DAT SEW, JEF, CND, EXP, PCM, PCS, CSD, PUM, ARC, PAT, T15, XXX, HUS , SHV, VIP , VP3, DSZ.
Original text by: unknown
Every embroiderer has been in a situation where an embroidery machine that was running smoothly only a day before, suddenly begins to break the upper or the underthread almost every stitch. Such a problem, in case you eliminate the possibility of mechanical breakage, is connected with certain processes, and also with the quality of the embroidery materials you use in your work. If such a situation occurs, try to solve the problem yourself before calling a service e
Original text by: unknown
Everything has its reason, and it is good when these reasons can be analyzed and understood and mistakes prevented before the material has been hooped and stabilizers, fabrics, threads and, what's most important, time have been wasted.
Are you familiar with the situation when you overexert yourself, but all you get is an ill-looking embroidery with objects dislocated and the fabric pulled? How to prevent it?
On the quality of machine embroidery
Original text by: Marina Belova
Suddenly it struck me that marking the position of an embroidery design on fabric before hooping is a major stumbling block to me. Is is so because I often get fabrics and garments that cannot be marked with a leftover sliver of soap or even with a disappearing marker. Another reason for the issue being of such a great importance to me, because I don't have any magic device for positioning of the hoops and most probably won't have one in the nearest future. I
Do you tremble when a customer comes in and asks you to do embroidery patches, patches is not as difficult as it may seem, but even if you do not want to digitize and make the patches your self you can out source the patches to companies that specialize in that sort of thing. Today we will take a look at digitizing tips for patches, supplies you will need and general information about patches.
Equipment and supplies needed
What is Chenille ?
Chenille embroidery is textured embroidery that is created by forming loop stitches on the top side of the fabric being embroidered. Using wool, cotton, or acrylic yarns, it creates a unique texture that sets your embroidery apart from common, everyday embroidery designs.
What do you need ?
You will need a digitizing level of the embroidery digitizing software, the option for Chenille and a Chen
Stitch Types & Limitations
When your learning to digitize it is very important that you understand what the different stitch types and when they should be used. Depending on your level it will depend on what tools you have.
There are three main categories of stitches in your embroidery digitizing software these stitch types can take form in many different ways.
The three stitch types includes the run style stitch, satin style stitch and the fill style stitch. L
Puckering (also known as cupping) is the gathering of material in an embroidery design which results in noticeable mounds of fabric and/or curled embroiderydesigns. This is undesirable in quality stitching and when it occurs, the cause of the problem should be determined and corrected. There are a number of factors which can contribute to puckering and they include:
The embroidery design
Often design stitch densities are simply too high and editing is required to reduce this density. A qua