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RedlineMan

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RedlineMan last won the day on May 24 2018

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  1. Welcome. I don't spend much time here, but I get notifications when there is a post. Digitizing and its software are quite different than other forms of design. Stick with it and ask as many questions as you need to. The more the merrier, and we're ALL still learning.
  2. Magnut; Exceptionally good information, and thank you very much for taking the time. Of course, I have not done a lot of pure test stitching just to test. Who thinks to do that? One issue is that I am doing this for my own amusement. I do not generally intend to do multiples of any given design, and so the "need" to get a design to stitch perfectly for a production run is not there. Yet, the principles you offer still apply, and would certainly be of use if I were to entertain the odd production run of a design. I would certainly prefer to have a design stitch perfectly the first and only time I intend to make it, however improbable that may be. Yes, highly, I know! Of course, I have gotten into trying different attributes for different reasons. I have taken to eliminating underlays where one item is stitching on top of a previous fill, mostly just for the economy of it, if not the redundancy. I have started even eliminating edge runs because I find on occasion that the subsequent fills miss covering them in spots. I generally tighten up overlay fields to increase color density of lights over darks, and also change angles to prevent stitch "fall through." I have used quite a few different backers, but never as a test for stitchout accuracy in an a-to-b sense. Again, I usually do not intend nor want to do multiples of a design, so my mind is programmed toward one and done. I would expect that some of the problem is the extreme stitch counts that I see on some of these, often exceeding 250K! I would assume that the effects of this many needle strikes could not be modeled accurately with a simple, small stitch test. Having lots of experience at prototyping in other realms, I do not foolishly expect one and done. I suppose what puzzles me most is the inconsistency of objects missing their marks. I would suppose that the distortion created by a large fill field would create a consistent inaccuracy in terms of registration of subsequent detail items, but is does not. Some portions of a subsequent adjacent fill area or border stitch will hit the mark dead on, and others will be off substantially. It does not seem to be predictable, and so can only be solved for after a "failed" stitchout. When those can take upwards of 4 hours, it gets frustrating. In the future I need to resign myself to trying an A-to-B stitchout to see how backing effects the result. Fabrics..... I could go on and on. A whole other tedious aspect of this embroidering puzzle. But.... I will leave it there for now. Thanks again for your gracious consideration. I hope not to strain it to the point of disappearance!
  3. Magnut; Let me ask an unrelated related question. One of the more difficult concepts to wrap your noob digitizer's head around is test stitching. With your vast experience, and in contrast to what a design LOOKS LIKE on the screen, how many test stitchouts do you consider normal before a design actually stitches the way it is intended to? ADD - your latest response just came in as I typed. I agree fully with your assessment of Terri (Teresa?... it's been a while). She is great, and completely unable to handle the load she has to deal with. I don't fault her ONE BIT. For what JAI charges for the software, they damn well ought to give the girl more help!
  4. Hey; Good on ya! Teresa has been VERY responsive to me, because I have been easy on her. She is the ONLY person at J/USA for tech work, and she is obviously OVERLOADED. She has gotten WILCOM involved in the past, and I have had some minor conversation with them. Frankly, I'm in a State of Grace with the whole thing. It freezes and geeks occasionally, I curse at it, ignore it, reopen it, and soldier on! EDIT - Don't be afraid of CORELDraw. Trust me.... if you can master digitizing software, CORELDraw is a breeze. I mean... the REAL CORELDraw. not whatever they included with V5.
  5. NnnnyaaaaaOK; That's a lot to digest, but..... THANKS!!!!!! I'm pretty sure I have the latest version. I'm running in compatibility mode already. I purge the RECOVER and BACKUP folders semi regularly. All the stuff that Teresa (Janome USA) has suggested. I think I am still running auto fabrics, so I will try fiddling with that. I have never used the COREL functions because, being a long time user of Draw X3, they made absolutely no sense to me, and seemed utterly redundant. I'd be quite glad to delete that modality, frankly. NEVER use it. Teresa has felt that my laptop's lack of overall computing power may be the culprit when it comes to all the shutdowns. I don't completely discount that notion, but this is the only program I have such problems with, and it happens even at times of seemingly little overall "load." Often it is when I simply save something before closing it, whether I have made changes or not. I've just decided to rationalize that it is a bit flaky, and I keep moving ahead regardless.
  6. Thanks Magnut; I have no basis to compare V5 to any other digitizing software, as I've never used any but this. I can only compare it to other programs I've used, like Photoshop, CORELDraw, Solid Edge, and so on. Beyond and apart from the fact that digitizing is a much different environment than any other type of software, I feel the V5 is a strong program. I continue to to feel it is somewhat buggy, but it is powerful enough to create some good stuff. I don't know if Janome is going to continue to support it or not. I keep hearing various rumors that they are looking to or have dropped it. I've sort of given up on getting them to help me keep it from freezing and shutting down, which it seems to do less of these days. Now, just as I say that, it will have a fit, no doubt. I feel it is quite expensive, and rather unstable, but you can do some good work with it.
  7. Thanks for the tip, KK; I have been in contact with Janome again, and I think things are moving toward getting Wilcom themselves involved. I think it is quite possible that my computer is not as powerful as it might be to run the software, as suggested by Janome. However, I am not willing to believe that it should be this difficult to get it to run clean. I have posted some recovery files and error messages to Janome and I believe they will be forwarded to Wilcom for review. I will certainly post up anything that comes of this. I continue to use the software successfully, despite all the freezes and lockups. The latest thing it likes to do is lose the HASP drivers, so I have to reinstall them on a fairly regular basis. Not sure what that is all about, but there it is. Despite the many quirks and foibles of the software, I manage to get some really nice product out of it.
  8. Hey; I have been using some of the fonts offered by V5, but all of the other fonts already in my computer's font library are also available to me in Digitizer. I have not been very impressed with the fonts included with V5, but you have to look at this topic a bit differently. As much as what you are seeing on your screen really truly looks like stitching, it is FAR from WYSIWYG. The results of a stitchout are often far different than what you are designing, and you will very likely find that many of the fonts you may be used to using in a graphic environment do not at all translate to stitching well. As dorky as a lot of the stock V5 stitch fonts look, they actually STITCH well.
  9. I have been employing your save-and-click-somewhere technique since yesterday, and I just now disproved it, at least in my case. I just got gonged! I'd like to get hooked up with a software guy at Wilcom!
  10. I very much appreciate the conversation, by the way. It is good to not feel alone, and it is good to bounce ideas around, as solutions occur much more readily. Where's everybody else?
  11. I think you have to factor in the type of embroidery being done. This is solid area stitching with 60-70-80,000 needle strikes, which of course is far more intense than simply popping some letters or a flower on something. Materials are just another problem in this process. I have purchased a fantastic twill patch material from an online supplier, but at $17US for 3.5ft/sq it is not exactly economical. I have been searching for a good alternative, but have not found it yet. This material is a 100% Olefin outdoor upholstery material, and 1/2 the price for 3x more material, but is a bit too loose in weave. I used a VERY heavy iron on drapery backer, and still got this puckering. For patches it does not matter, but for a garment this would not be satisfactory. I'd sure like to find that shiny polyester adhesive backed fabric in bulk......
  12. Interesting; I find it odd that we seem to be the only two people in the world - or on this forum - suffering from this?!?! It has been my assumption that it is possible that the exception occurs because my computer is not "fast" enough - at least as "fast" as this software "requires", like a gaming or engineering computer - and that a save required too many decisions/tasks at once for it to handle. Just an assumption, and sort of hinted at by the Janome tech rep, if not outright confirmed. I have never really been able to find a solid pattern to it, like I just did a stitch edit and it freezes every time. It is not always when I save either. I've just decided it is an occasional hissy fit. The biggest improvement was running in XP compatibility mode. It does not happen very often anymore, and I can manage to get some work done now, but is still does occur and is still annoying when it does. At least it saves what I have done, so I have not lost hours of work when it geeks. I have not used Export File as of yet. When I first tried sending files directly to the machine, I could never get it to work, so I defaulted to dropping the file on a jump drive and doing it that way. This works fine and is not that much of an imposition, so I've never gone back to try and make the direct cable method work. Lazy. These problems have faded down the list of difficulties in getting works to stitch right. Every project presents new challenges, but I am managing to get some decent output.
  13. Inevitably, when I get the Screen of Death, it quickly thereafter comes with a shut down notice. there have been a few times when I have worked and later discovered this screen behind the work space, but not very often. Janome is tapped out on this, so it will indeed be up to Wilcom to fix their code.
  14. Good to know, and thanks! The software froze & closed about 4 times on me yesterday. Annoying, but as long as it also saves my work for retrieval, I guess I can live with it. there appears to little other choice.
  15. I am impressed with the smooth flow and consistent proportion of your characters, by the way!
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