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    Decorating a kitchen: an embroidered pot holder

    By Irina, in Machine embroidery materials and technology, , 10 comments, 5,253 views
    Decorating a kitchen: an embroidered pot holder
    Not only will an embroidered pot holder protect your hands from scalding but also make your kitchen look lovely. In the course of our collaborative projects, the participants are required to embroider any of the kitchen or table textiles of their choice. No need to do something complex, as one can always make a pot holder.
    An embroidered pot holder. Materials
    Sole-colored cotton, 2 pieces Printed cotton, 1 piece Tearaway adhesive stabilizer Upper thread Underthread Scissors Cotton lace Padding material
    An embroidered pot holder. The making process
    I used two sole-colored pieces of different fabrics for the embroidered part and for the back part of my pot holder, with a binding. I could have cut the front and the back parts out of the same fabric, as it would look more natural if the whole thing was white. But I didn't have the necessary amount of white fabric, and therefore, I supplemented it with beige one.
    Let’s embroider a design first. Stabilize your fabric and hoop it. Select your threads (I do it beforehand, and sort them in the order of sewing), and start the embroidery. While the machine is going, you can make yourself a cup of coffee, pausing occasionally to change the thread.

    Once the embroidery is ready, unhoop the fabric and do the cutting. Natural fabrics, being heat-resistant, are preferable. My pot holder was a simple square one, with no bells and whistles. As for the batting, felt, wadding or drape cloth are most common, but if you don't have any of those, and you only plan to use the pot holder for the decoration, you may use polyester batting instead.
    Attention! Polyester batting is highly thermal conductive and has a low melting threshold.
    You’ll need to cut two square pieces, one sole-colored and one printed. Don’t use vividly colored prints; the fabric should not distract attention from the embroidery. It would be better if one of the colors of the fabric will match one of the main colors in your design.
    Out of the embroidered piece, cut out a pocket with seam allowance, so that the design is right at the center. Lay a piece of lace on top of it, facing into the right corner. Cut with allowance, in case it shifts during sewing, and you don’t want to rip it off.
    Prepare the binding. It is usually cut on a bias, but if you don’t have enough material, you may use a simple rectangle instead.
    First, I stitched the batting and the beige fabric for the back part of my pot holder. These are simple square pieces, no difficulties here. You may mark them for better alignment, but I did it by eye, and it came out fine.

    Then I stitched the pocket and the lace to the front part. I ironed out the edging so that it would sew easier, pinned the corners and carefully stitched along the edge. Now be very careful and make sure that the stitch goes along the top edge of the binding in one go and doesn’t slide down the lower one. If you set your machine at a low speed and keep steadying it along the way, it will come out fine. Be extra careful at the corners (alas, I didn’t manage to achieve perfection here).

    I don’t like basting and step-by-step stuff, all this dilly-dallying just doesn’t agree with me. But if you prefer to work that way, you can baste the thing first.
    Cut your binding a little longer than the perimeter of the pot holder; we’ll make the surplus into an eyelet. Your pot holder is ready! You may insert your favorite recipe into the pocket.


    Original text by Mary Stratan

    Clothes repair: Changing a zipper in a jacket

    By Irina, in Machine embroidery materials and technology, , 0 comments, 2,632 views
    Clothes repair: Changing a zipper in a jacket
    If a zipper in your favorite jacket stopped working, don’t despair! Don’t be haste to chuck it. With a sewing machine at home, you’ll be able to repair it for a very small price. In this tutorial, I’ll show you how to change a zipper with a cord in a kids' jacket. The method used here is identical to the one in this article (link coming soon!).
    Changing a zipper in a jacket. Preparations
    To prepare for the job, you need to rip the seams open to remove the broken zipper, to buy a new one, preferably of the same length. Clear away the thread remnants.


    Close to the teeth of the new zipper, baste the cord.


    Changing a zipper in a jacket. Sewing
    To sew a zipper, you’ll need two pressure feet: a standard zipper foot and a cording foot. Prepare your machine for cording. Choose a straight stitch, with the needle in the center position, and set the stitch length at 3 mm.


    Place the zipper with the cording under the foot and stitch carefully.



    After that, baste the zipper to the jacket, and fold the cording to the wrong side.


    Likewise, fold the upper edge of the jacket to the wrong side and baste. Make sure that the two halves of the cording are equal in length. Now install the zipper foot, and position the needle at the right or at the left.
    The side depends on which side of the zipper you’re going to attach first.


    Sew the zipper to the jacket.
    The work is done, and the jacket gets the second life.

    Original text by Irina Lisitsa

    Circular embroidery attachment

    By Irina, in Machine embroidery materials and technology, , 0 comments, 1,802 views
    Circular embroidery attachment
    Being an owner of a wonderful Brother Innov-is 950 sewing and embroidery machine, I constantly seek to add functionality to it. I’m able to do it with various accessories and attachments. Today, I want to tell you about a circular embroidery attachment which is not listed among the Brother machines accessories. I bought it on a trial basis, without being sure whether it is compatible or not. Now I am able to state with confidence that it is indeed compatible not only with my machine but also the whole number of other models.

    Circular embroidery attachment. Materials
    Dense fabric Circular embroidery attachment Sewing threads Scissors Embroidery or sewing and embroidery machine
    Circular embroidery attachment. How to install and sew
    I covered all the key aspects in my video. I want to additionally stress several, in my opinion, important points:
    During the attachment installation, the long lever should hover over the screw that holds the needle in place. Only in that position the attachment will move in the proper way, forming a circular pattern.
     The upper thread should be above the attachment prior to the beginning of the embroidery. Make sure that is doesn’t get underneath. The lower side of the attachment is covered with a thick non-slippery material that allows moving the fabric in the right direction. If the thread gets under the attachment, the fabric will shift, and the embroidery will come out warped.
      If you’re going to use thin fabric, make sure to strengthen it with a machine embroidery stabilizer prior to the embroidery. A tearaway adhesive works fine, as it is easy to remove after the work is done.
     You may choose from a multitude of decorative stitches (including zigzag) in your circular embroidery. Before starting on the real thing, do not forget to do a test sew first.
     Turn off the feed dog before starting the embroidery. The attachment itself will feed the fabric.
    With its help, you will be able to embroider circular designs of three different sizes: large, medium-sized and small. To change the size, you’ll need to loosen the screw, move the attachment to the “plus” or “minus” side and tighten the screw again.

    Double needles, too, may be used for circular embroidery.
    The attachment is also compatible with such Brother machines as: Boutique 27, Comfort 10, Comfort 15, Comfort 25, Comfort 25A, Comfort 35A, LS2125, LS3125, Prestige 100, Prestige 200, Prestige 300, Prestige 50, Universal 17, Universal 25, Universal 27S, Universal 37S, XL-2130, XL-2140, XL-2240, XL-2250, XL-2600, XL-3500, XL-2120, XL-2220, XL-2230, XL-5050, XL-5060, XL-5070, XL-5500, XL-5600, XL-5700.
    Original text by Mary Stratan

    Machine embroidery with subsequent coloring

    By Irina, in Machine embroidery materials and technology, , 0 comments, 2,811 views
    Machine embroidery with subsequent coloring
    Today, I want to share a very interesting project that involves machine embroidery and coloring. A ready-made child raincoat was used. In the course of making, a lining had to be ripped off, and sewn back again after the project was completed. I needed to do that to keep the inner side of the garment neat and clean. The idea was to embroider an outline and then to paint the inner areas with different colors, using color textile markers made specifically for such purposes.
    For this project, I needed:
    A child’s raincoat Tearaway stabilizer Black embroidery threads and lower (bobbin) thread Color textile markers (permanent) Brother embroidery or sewing and embroidery machine   Design creation and editing software Creation of the design
    First, I created an embroidery design. Suitable vector images were found on the Internet. You can use bitmap images, too, if you like, but they usually take much more time and effort. Several fragments of the embroidery were thus converted and later aligned with each other during the embroidery.

    Embroidery
    In this particular case, it was convenient to use the largest hoop available. As the embroidery was conducted on Brother Innov-is V7 machine, it was practicable to use a 300 x180 cm frame that comes with the machine – it helped to reduce the number of rehoopings.
    A rightly chosen stabilizer is a must if you want to get a high-quality embroidery. I used Filmoplast.

    In order for the outline to look sharp and distinguished, it was digitized as a double stitch.

    After the embroidery was completed, I removed all stabilizer leftovers from the wrong side.

    The embroidery ran along the lower hem of the garment, and also around the sleeves (which were, too, unseamed in advance). The embroidery took quite a lengthy amount of time, but the result was worth it! The raincoat looks very original and exquisite!

    Let’s proceed to the coloring.
    For the last step, we required permanent textile markers. A happy owner of the future raincoat was invited to join the process; she readily employed all her skills to her heart’s content.



    A few hours of pleasant collaboration – and an exclusive raincoat is ready! It’s certainly one and only! 

    Original text and sewing project by Olga Milovanova

     

    Sewing tutorial: an eco friendly bag with a Rooster

    By Irina, in Machine embroidery materials and technology, , 2 comments, 3,200 views
    Sewing tutorial: an eco-friendly bag with a Rooster
    This is another one of the tutorials presented at the Mlyn exhibition in Minsk. In this tutorial, I’ll show you how to sew an eco-friendly bag with a reverse appliqué (Rooster). And not just a simple appliqué, but a quilted one, too.

    Sewing a Rooster eco bag. Materials:
    Unbleached linen fabric For the bag: 2 pieces, 30 x 35 cm each For the handles: 2 pieces, 7 x 60 cm each (or 1 piece, 7 x120 cm) For the lining: 2 pieces of calico, 32 x 30 cm plus 1 piece, 18 x 18 cm – for the pocket Colored strips of fabric 24 cm long for the appliqué (the width may vary: 2.5 or 3 or 3.5 cm) Sewing threads, erasable pen, zigzag scissors. Sewing a Rooster eco-friendly bag. The working process:
    For the decoration, we’ll be using a raw edge reverse appliqué. You can use any outline drawing of a rooster size 20 x 20 cm. Print it and cut out the pattern.
    Stitch the strips of fabric together to make a quilt: one after the other, alternating between different colors, until you get a piece 24 x 24 cm in size.


    Place the front part of your bag on top of the quilt and secure it with pins.

    Trace the design onto the fabric with an erasable pen. Make sure that the design isn’t bigger than the quilted area. Sew along the outline with a decorative stitch.



    Using your zigzag scissors, make a hole in the outlined area and cut it close to the outline.


    Use the resulting piece to create your eco-bag.

    Original text by Olga Milovanova

    Freestyle backpack purse: a step-by-step guide.

    By Irina, in Machine embroidery materials and technology, , 2 comments, 7,625 views
    A guide to sewing a freestyle backpack purse.
    Beginning
    Step 1. Let’s sew the straps. We have 4 of those.
    If you use fabric, fold the pattern No13 right side inside, stitch the sides together, turn right side out and finish the edges with a topstitch.
    If you use leather or artificial leather, trim allowance on the sides of the pattern No13. Glue the edges on the wrong side and fold them toward the center. Finish the edges with a topstitch.
    Put the resulting leather/fabric/webbing piece through the metallic frame, thus getting a part of the future strap.

    Step 2. Sew the straps to the pattern No5, in accordance with the plotted lines painted on it.
    Step 3. Place the pattern No6 (the lower edge) on top of the pattern No5 (the edge with the straps), and stitch with seam allowance, right sides facing each other. Turn the piece right side out and add do a topstitch along the seam (the seam allowance should be facing the bottom, the straps should be facing the back).
    Step 4. Now take resulting piece of Step 3, and match up the narrow part of the pattern No5 with the lower edge of the pattern No4, right sides facing each other.

    Stitch with seam allowance, fold back to the right side and finish with a topstitch along the seam on the side of the pattern No5 (the seam allowance should be facing toward the bottom).
    Step 5. To the resulting piece of Step 4, attach the edging, in accordance with the plotted lines on the pattern No6.
    Step 6. Preparing a zipper. Put the parts of the pattern No11 together, their right sides facing each other, so that the short end of the assembly covers a 40 cm long zipper. Stitch with 1 cm seam allowance and then topstitch along the seam.

    Step 7. Stitch the resulting pieces of Step 5 and Step 6 together, in accordance with the plotted lines. One flange of the zipper is now secured.

    Step 8. Place two parts of the pattern No7 (canvas) on top of each other, right sides facing each other, and sew along the lower edge with seam allowance.
    Flip both parts back.
    Place the resulting piece of Step 7 on the canvas, right sides facing each other, in accordance with the plotted lines. Sew with seam allowance to the edge of the pattern No4 (the assembly with the zipper).
    ***The beginning and the end of the line of stitching should not overlap the second canvas piece.
    Step 9. Turn the Pattern No8 right side out.
    Transfer the center point over onto the zipper tape.
    Cover it with the second piece of canvas, right sides facing each other, align the centers and the triangular bracings.
    Baste and stitch with 0.5 seam allowance.
    Step 10. Patch plate on the front.
    If you decided to make your patch plate rectangular, fold the edges to the center and do a topstitch along the folding lines.
    Sew the last pair of straps to the pattern No12. You may shorten these straps as much as possible.

    Step 11. Sew the resulting piece of Step 10 to the pattern No3.
    Step 12. Sew the resulting piece of Step 11 to the pattern No9, matching up the centers.
    Step 13. Now we’re going to sew the short handles.
    If you're using fabric, fold the parts of the pattern No10, right sides facing each other, and stitch with seam allowance.
    Turn the whole thing right side out, press it with an iron and do a topstitch along the folding lines.
    If you're using leather or artificial leather,
    glue the long sides to a depth of 2 cm. Hem in the seam allowance, then gently tap the folds with a small hammer.
    Fold the result in half and sew the folded hems together.
    Add another line of stitching at the same distance, parallel to the first.
    Round handle: an alternative.
    To make a round handle, you’ll need a cord, preferably the one that has a core. The circumference of the handle will depend on the diameter of the cord. The point here is to match the diameter of the cord to the inner part of the future handle. The cord should be equal to the pattern No10 in length, minus 2 cm of seam allowance.
    How to calculate the width of the pattern No10 (the round handle):
    Measure the diameter of the cord, if unknown. Add 3–5 mm so that is moves freely, and 2 cm allowance on top of that. That will give you get the necessary width.
    Fold the seam allowance to the wrong side. Glue (if you're using leather) or baste (if you’re using fabric). Match up the folded hems and sew.
    Using whatever you have at hand, pass the cord through the pattern.
    This is how I do it. First, I pick up a thick thread and a needle. Having cut 30 cm of the thread, I secure it at the end of the cord, winding it around several times with a needle. I also have a sturdy strand of wire. Folding it in half; I attach the free end of the thread to the bend.
    Then I pass the wire through my future short handle and draw the end of the cord on the other side.
    It will take some effort, because there is not too much room inside. It will be an easy journey from here.
    We now have the straps.
    Step 14. Sew the result of Step 13 (the short handles) to the short edges of the result of Step 12, right sides facing each other, at a distance of 1.5 cm from the corner.
    Step 15. Now let’s add our zipper.
    Fold the pattern No2 in half and put it on top of your main zipper, close to the teeth, but not too close.
    Sew along the folding line at a distance of 3–5 mm from the edge. If the zipper tape is wide, you may add another line of stitching, parallel to the first. Repeat with the second flange.
    Be sure to do the reversing to secure the end of the zipper so that it doesn’t pop open.

    Step 16. Sew the resulting piece of Step 15 to the even edge of the pattern No1 (made of outer fabric), right sides together. Repeat with the second part of pattern No1.
     
    Step 17. If you’re making a bag out of fabric, baste the resulting piece of the Step 14 to the resulting piece of the pattern 16, right sides together, at a distance of 1.5 cm from the upper edge of the pattern No1. Later this assembly will be stitched to the upper edge of the body of the bag.
    In order to make a beautiful even seam, use the markings on the pattern No1 that correspond to the markings on the bottom part of the resulting piece of Step 14.
    Do not sew the upper edges of the lining to the upper end of the body!

    Stitch the basted edges with seam allowance.
    Thus we get the future upper part of the backpack.
    Step 18. Put the two parts of the pattern No8 together, right sides facing each other, and stitch along the upper and lower edges. Turn right side out through the open sides. If you decided to make two pockets, repeat this last step with the second part of the pattern No8.
    Iron out the pocket edges.
    Step 19. Sew the resulting piece of Step 18 to the pattern No6, in accordance with the plotted lines. Sew or baste the sides, fixing them in place. Stitch along bottom folding line, thus attaching the lower part of the pocket. Or, you may stitch the pocket in one go: first the right side, then the bottom, and then the left.
    Step 20. Now, the lining for the body of your bag.
    Align the resulting piece of Step 19 and the pattern No9, and sew with seam allowance along the shorter edge, right sides facing each other.
    Press the seam allowance open.
    Step 21. Sew the result of the Step 20 with the pattern N1 (the lining), at a distance of 1.5 cm from the upper corner of that pattern. Leave an opening for turning your backpack right side out.
    Step 22. Unzip.
    Align the upper edges of the result of Step 21 (right side) to the upper edges of the resulting piece of Step 17 (wrong side). Sew with seam allowance.
    Step 23. Tuck the outer part of the bag into the lining. Do not turn the whole thing right side out yet.
    Align the open side edges of the lining and the zipper. Make sure that the edges of the inside and outside parts of the bag align.
    Sew with seam allowance.

    Step 24. Turn the backpack right side out through the opening in the lining.
    Tuck the lining into the backpack and check all of the seams for defects.
    All good? Then stitch the opening in the lining with a blind stitch.
    Step 25. Now let’s prepare the lower parts of the straps.
    Use the technique from step 13. We sewed the short handles there.
    Step 26. Slide on the strap adjusters.
    Detachable straps.
    Stitch the strap ends.
    Non-detachable straps.
    Pass the strap ends through the openings in the front part of the backpack and sew.
    Pass the other ends through the openings on the back (the ones on the straps) and then once more through the strap length adjusters, so as to form a second lover loop.
    Sewing the edge of the shoulder straps.
    P.S. If you find any part of the tutorial difficult, feel free to write a comment, and we’ll try to help.
    Please share the photos of your backpacks with us; we’ll be happy to add them to our Gallery!
    We’ll be happy to see your creations!

    Custom wedding invitation

    By Irina, in Machine embroidery materials and technology, , 1 comment, 2,462 views
    Custom wedding invitation
    I began preparing for my wedding with the making of the wedding invitations. The wedding is a pretty important occasion in the life of a woman, so I took the matter seriously.
    Naturally, I wanted my invitations to be hand-made and original. In this, I succeeded.
    Tools and materials
    2 sheets of scrapbooking paper, size 30.5*30.5 cm (I used Fleur Design Romantic Vintage and Romantic Patterns) A satin ribbon 1.2 cm wide A heat gun Embossing powder Alphabet stamp (Russian letters “В” and “Д” in my case) An embossing ink pad An acrylic stamping block Talcum powder and sponge (for degreasing) A cutting mat Sticky foam pads Glue Double-sided adhesive tape (narrow) Scissors, ruler, pencil, design knife, a pair of tweezers A creasing tool A corner hole punch for the insertion of the photograph First, I created files for cutting in the Canvas Workspace and transferred the designs to the cutting machine via USB flash drive. I used the slightly sticky cutting mat and a standard knife. Before the work started, I adjusted the knife (the paper density is very important here) and did several test cuts. Only after that, I proceeded to the scanning and positioning.

    I cut the following details: an envelope, an insert piece, and some decorative elements for the front part of my invitation (a carrier with two openings, a carved edge decoration, and an oval thing).

    If the cutting machine has left something uncut, don't panic. You can easily remedy it with a design knife.


    To get the neat-looking, I smoothed them out on all sides with a creasing tool and also made some folding creases on the envelope (center part and sides — let’s call them “wings”).



    I stuck small strips of adhesive tape on both “wings” and glued the parts of the envelope together.

    This resulted in a lot of workpieces.

    Using my hole punch, I made several openings the insert piece so that I could put in the text sheet later (you may glue it or use Canvas Workspace instead).

    I also decided to emboss the bride and bridegroom’s initials (you may just stamp them with ink or glue the word “Invitation” or something).
    For embossing, you’ll need:
    A heat gun Embossing powder An embossing ink pad “В” and “Д” stamps An acrylic stamping block Talcum powder and sponge (for degreasing)
    First, I prepared the surface, using talcum powder and sponge (so that the small particles of the embossing powder only stuck to the parts I had applied my stamp to).

    Then I used the pad to create the inscription, sprinkled the embossing powder, shook off the excess and heated the inscription. As the heat gun gets really hot, I recommend holding your paper with tweezers.



    All is ready for the assembling of the invitation:

    An envelope blank An insert piece Three decorative elements: The carrier with two openings, the decoration with carved edges and the oval thing with embossing A satin ribbon 1.2 mm wide Sticky foam pads Glue A ruler and scissors I held the ribbon to the envelope, measured the required length (it should be sufficient to go around the envelope), and cut. I could have singed the edge with a lighter, so as to prevent it from unraveling, but decided not to, for the ends were to be glued.

    Then I passed the ribbon through the carrier and glued one end of it almost at the center (use any glue you like).


    Then I pulled the ribbon tight, overlapped, and glued the second edge. I shifted the carrier toward the center so that it covered that spot.

    I used glue to attach the decoration with the carved edges, but you may replace it with double-sided adhesive tape. Then, I stuck the oval thing with embossing (my inscription) to the sticky foam pads.
    Our wedding invitation is ready.

    All that’s left to do is to print the text with the vital details about the wedding and to attach it.

    Original text by Valeria Balashova

    Sewing accessories: a Ruffler foot

    By Irina, in Machine embroidery materials and technology, , 3 comments, 3,382 views
    Sewing accessories: a Ruffler foot
    Pleats are cute! Ruffles, pleats, and frills are fashionable again. You can use the main fabric or decorative ribbons, and attach the ruffles to the garment or at the edge. The variety of textures in one garment is very popular this season. This article contains three short tutorials. You may choose the one you like for the embellishment of your apparel. Revamp a dress you grew tired of, replace old and dull sleeves with the puffed ones with the cute ruffled ribbon decoration.
    Revamping an old dress: Materials
    A dress A sewing machine Sewing threads The Ruffler foot 65 cm of chiffon fabric of the matching color Ribbons of varying width and texture, of the matching colors
    Revamping an old dress: Ruffler foot
    Attach the Ruffler foot and ruffle your ribbons. They will look as if made by a professional. Feeding the fabric to be ruffled into the foot with a steady hand at an even pace, you’ll finish the job quickly.
    Adjust the depth screw. You may choose any value between 1 and 8. The higher the number, the deeper the pleat (more fabric is tucked into the foot). If you set it to 1 or 2, the attachment will create very narrow pleats. Set it to 8, and the pleats will be as deep as possible. Using the manual, replace your ordinary presser foot with a Ruffler foot.


    Adjust the ruffle regulator. The lever can be put in one of the four possible positions: 1, 6, 12 and *. If set to 1, the ruffle will be made with every stitch. If set to 6, the ruffle will appear every 6 stitches, and if set to 12, every twelfth stitch. In case you need a straight stitch, set the lever to *. The stitch length also affects the distance between the ruffles. The lower it is, the closer together they will be.
    Set your needle in the center position. Push a ribbon through the foot. Put one end of the ribbon in a piece of paper and push it between the ruffling blade and the fabric feed plate. After that, the paper can be removed.



    Position the ribbon in such a way that the needle is exactly in the middle between its two edges. Sew at a low speed. Don’t forget to check: the row of stitches should run in the middle.  


    Adjust the ruffle depth and the distance between the ruffles in accordance with the ribbon width. The narrower the ribbon, the lesser the pleat depth. 


    Revamping an old dress: Decorating the sleeves
    Prepare your sleeves for the decoration. Rip them out, unravel the seams and iron out the pieces. Now, you need to cut the identical pieces out of the chiffon.
    Fold the chiffon in half, with its right side inside. Place the “real” sleeve on top and cut along the outline. To the newly-cut chiffon parts, fuse the interfacing material. It will strengthen the fabric and prevent it from shifting. 


    Lay out the prepared ribbons on top. Alternate wide and narrow ones. Pin them and sew the straight stitch along the gathering line. You may cover the seam with a cord or a narrow satin ribbon. Attach the cord with a zigzag stitch.  



    Once the ribbons are attached, remove the interfacing material from the wrong side.


    Fold the hems, sew the sleeves and attach them to the arm-holes.

    Wear happily! 


    In the second part of our article, we are going to sew a summer jacket with basque and decorate it with a ruffled satin ribbon.
    Summer jacket with basque. Materials
    Fabric for the jacket (110 cm long and 140 cm wide) Jacket sewing pattern (to the waistline) A 20x90 cm piece of colored satin for the decoration A Ruffler foot A sewing machine Sewing threads Summer jacket with basque. Preparing the decoration
    Adjust the depth screw. Set the depth screw to 8. Using the manual, replace your ordinary presser foot with a Ruffler foot. Set your needle in the center position. 


    Set the ruffle regulator to 6, so that every 6 stitches you get a ruffle.
    Cut the colored satin fabric into strips 6 cm wide and approximately 180–200 cm long. Fold the ribbon in half (lengthwise) and iron out all the way. Put one end of the ribbon in a piece of paper and push it between the ruffling blade and the fabric feed plate. After that, the paper can be removed. Place the needle above the ribbon 1 cm from its edge. Sew at a low speed. Check the position of the seam: it should run 1 cm from the edge.  



    Press down the ruffles with an iron.


    Summer jacket with basque. Sewing
    Cut out the parts and sew the sides, shoulders, and darts. 


    Pin the already ruffled satin ribbon to the right front part along the centerline, around the neckline and 15 cm under the neckline on the left front edge. Stitch close to the edge.


    Sew the facing and the neckline facing together. On top of the decoration, pin the facing and the neckline facing to the right front part of your jacket on the right side, and stitch 1 cm from the edge.
    Turn the facing the wrong side out and iron out. Using the edge stitch presser foot, finish the edge (stitch on the right side).
    For the basque, prepare a piece of fabric approximately 160 cm long and 11 cm wide. Turn up the lower edge and stitch. 


    Along the upper edge, attach the ruffles, 1 cm from the edge. 


    Press down the ruffles on the basque with an iron. Pin the basque to the lower part of the jacket and sew.


    Cover the seam with a satin ribbon 1.5 cm wide (in the ready state) and stitch on both sides. Prior to that, fold the hems and flatten them with an iron. 


    Sew the sleeve, fold the hem and stitch. Attach the sleeve to the arm-hole. Attach the snap fasteners.


    “One-click” cascade ruffles
    All you need to sew a dress with cascade ruffles is a piece of fabric and a Ruffler foot. This tutorial will show you the possible variants of cascade ruffles, assembled at home.
    “One-click” cascade ruffles Version 1
    For this job, you’ll need: A sewing machine Sewing threads A Ruffler foot A piece of lace 15 cm wide and 600 cm long, for a three-tier skirt with a 60–65 cm waistline “One-click” cascade ruffles. Creating the ruffles
    Prepare the lace for the skirt. Adjust the depth screw. Set the depth screw to 8.
    Set the ruffle regulator to 6, so that every 6 stitches you get a ruffle. Set your needle in the center position. You can narrow the distance between the pleats by reducing the stitch length. Do the test sewing.


    Push the lace through the foot. Position the needle above the lace 1 cm from the edge. Sew at a low speed. Check the position of the seam: it should run 1 cm from the edge. Ruffle the whole length of the lace piece. It will be used to create a three-tier skirt.


    “One-click” cascade ruffles. Sewing the dress
    Sew the bodice on the sides. Don’t touch the back seam. Starting from the center back, stitch the first tier of ruffles to the bodice along the waistline, right sides inside. Cut the excess lace. The seam at the back should remain open all the way.


    Stitch the second tier of the ruffles to the first one. Hide the end of the ruffled lace under the first tier of ruffles. Sew the straight stitch on the right side. Cut the excess lace. Stitch the third tier to the second one. Sew the dress at the back, from the neck hole to the lower edge.  



    Finish the neck hole and attach the sleeves.

    “One-click” cascade ruffles Version 2
    For this job, you’ll need:
    A sewing machine Sewing threads A Ruffler foot A piece of lining 13 cm wide and equal to the lace in length. A piece of lace 15 cm wide and 500 cm long, for a three-tier skirt with a 55 cm waistline. “One-click” cascade ruffles. Preparing lace
    Do steps 1 and 2 from Version 1. Cover the lining with the lace, align them together and push the whole into the foot. Place the needle above the ribbon 1 cm from the edge.
    Sew at a low speed. Check the position of the seam: it should run 1 cm from the edge. You will ruffle two fabrics simultaneously.


    Ruffle the whole length of the lace piece. It will be used to create a three-tier skirt.


    “One-click” cascade ruffles. Sewing the dress
    Sew the bodice on the sides. Don’t touch the back seam. Starting from the center back, stitch the first tier of ruffles to the bodice along the waistline, right sides inside. Cut the excess lace. The seam at the back should remain open all the way.


    Stitch the second tier of ruffles to the lining of the first tier, using a straight stitch. Cut the excess lace.

    Stitch the third tier to the lining of the second one. Sew skirt at the back in two stages. First, all lace tiers, with their right sides together. Then, all lining tiers with one seam.  



    Finish the neck hole and attach the sleeves.

    Original text by Olga Milovanova
    Read also: 
     
     

    How to use a Ruffler foot

    By Irina, in Machine embroidery materials and technology, , 2 comments, 2,517 views
    How to use a Ruffler foot
    Today, we’ll be working with a presser foot designed for the creation of the pleats, frills and ruffles. A little while ago I promised to show you what the Ruffler foot is capable of. At the first glance, the contraption seems a bit complicated. Several adjusters and guides allow you to gather fabric and simultaneously attach ruffles to the garment. Let’s see how it works.

    The Ruffler foot structure:
    A bifurcated arm (4) serves to synchronize the attachment with the needle bar. The clamp (5) is for quick attachment of the foot to the machine. Two screws and the adapter at the rear enable the foot to move up and down, and to the left and to the right of the needle bar. Adjusters:
    The depth screw (1) determines the amount of fabric pushed into the foot every time it tucks: from 1 to 8 mm. With the ruffle regulator (2), you determine how often a ruffle will appear: every 1, 6 or 12 stitches. Once set it to *, the attachment will create no ruffles at all. Fabric guide lines:
    Green line — for the main fabric, no ruffles. Red line — the ruffling blade. Lilac line — the fabric feed plate (also for braids, ribbons).

    You may place your fabric along any of the three guide lines, but only using the red one will give you ruffles.
    Stitch at a low or medium speed!
    Types of ruffles and pleats:
    Single or double pleat. To create one or the other, place one (or two, in the latter case) pieces of fabric to be ruffled, along the red guide line. Set the depth screw at 4 or higher. Set the Ruffle regulator to 6 or 12.

    How to ruffle fabric and attach it to the main fabric simultaneously
    Set the regulators to make single or double pleats. Insert the main fabric into the guide along the green guide line.

    You can create a twisted pleat, using a capronic or a satin band, or a specially prepared piece of fabric up to 7 cm wide. Set the stitch length at 2.5 mm. Set the depth screw at 1–3, and the ruffle regulator at 1.

    It’s also possible to ruffle fabric and simultaneously attach it to two flat fabrics, on the top and bottom. In order to do this, insert the main fabric with its right side facing up, into the foot along the green guide line, and the fabric to be pleated along the red line, with its right side also facing up. Along the lilac line, place the second piece of fabric, with its wrong side facing up.
    Use the prongs on the foot for the width of the seam allowance to be consistent.


    How to attach a pleat, folded in half, to the hem of the garment
    Finish your seam allowance with an overlocker.
    Mark the width of the seam allowance on the right side with a fabric marker. Place the main fabric along the green guide line, and the fabric to be ruffled along the red one.
    Adjust the regulators.
    Stitch to create the ruffles.
    Press down seam allowance to the wrong side and stitch along the edge.

    Joining the satin ribbon to the pleat
    Place the main fabric along the green guide line, and the fabric to be ruffled along the red one.
    Insert a narrow (up to 5 mm) satin ribbon into the foot, using the prong. Stitch.


    These are just the highlights of what the Ruffler is capable of. Play around with it, creating your own variants.
    Read what you can do with the Ruffler foot:
    Original text by Yelena Kraftwork

    My embroidery machine doesn’t recognize a design. What am I to do?

    By Irina, in Machine embroidery materials and technology, , 3 comments, 7,694 views
    My embroidery machine doesn’t recognize a design. What am I to do?
    Olga approached the embroidery machine. In her hand, there was a brand new 32 Gb USB flash drive that she had bought online specifically for the purpose. Olga drew her breath. She was about to initiate her very first contact with the embroidery machine. Olga stretched her arm in the direction of the USB port on a side panel. The data transfer was about to commence!
    Her swift stylus was flying over the screen, guiding her to the location, which, according to the manual, contained her embroidery designs. These operations were familiar to Olga: after all, she didn’t play Solitaire on her phone during the long winter evenings for nothing. In the end, she was in for a disappointment: the machine found no designs on the USB flash drive. Olga was quite puzzled: what happened to her files and why the machine did not see them?

    The embroidery machine doesn’t recognize a design
    This article deals with the problems almost every machine embroidery novice encounters sooner or later. Gradually, old problems are solved and give way to the new ones; therefore, the information accumulated here will be updated.
    Before loading the designs into your embroidery machine, carefully read the manual to learn how this can be done. Presently, the most popular way of doing that is using a USB flash drive. For this very reason, it is the USB Flash drive that is most troublesome for novice embroiderers.
    In this article, I’ll describe the main reasons for the design load failure, together with the possible solutions.
    The stitch file format is unfamiliar for your embroidery machine
    The embroidery machine manual always lists all compatible file formats/types. The format/extension is identified by the three letters after the dot in the name of the file.
    Every manufacturer has its own format to add to the embroiderer’s troubles.
    Brother — PES Janome — JEF Bernina — ART Pfaff — VIP And so on.
    If you saved your design in the PES format, and your machine can only read JEF and DST, do not expect miracles. Your machine won’t be able to see the design.
    Today, DST is considered a universal stitch format. A lot of manufacturers are aware of the fact, their equipment supporting both DST and the format that is its “native”.
    If your machine can read DST — use it!
    USB flash drive is full
    You have crammed too much information into your USB flash drive. This problem does not occur frequently, but it might, especially if you own a machine of one of the previous generations. Try to format the USB flash drive and then load the designs. If the solution has worked, congratulations! If not, read on.
    You’re using a file format of the newer version 
    I've mentioned the file formats/types just above. You already know that your machine supports PES files, but the machine still fails to recognize them. One possible explanation is that you’re using a newer version of PES than the ones supported by your machine (there are approximately 10 versions of it in total). This trouble usually bothers the owners of the machines that support PES format. What can be done in this case?
    Open the file in any converter software and save it in the older version of the format. Embird automatically saves the files in the latest version of the format, it being compatible with the majority of Brother embroidery machines.
    Machine embroidery design was saved to a wrong folder
    Again, I suggest perusing your embroidery machine manual. It describes the correct sequence, in which the designs should be saved to the USB flash drive, and how to prepare it for the task. Before starting to load any designs, you should format it. Switch on your embroidery machine and insert your USB flash drive into the port. The machine will find and format it, if necessary, creating the system folders. It is in one of these folders that the files should be loaded.
    In case your machine was made after 2014, you’ll most probably never have to face this problem, as the loading process has since been simplified. On the other hand, anything can happen.
    The design is too big
    Any embroidery machine has a maximum embroidery area. It determines the largest size of the design that can be loaded into this particular piece of equipment. If you try to load a 141x139 mm design into the machine that only handles the ones up to 140x140 mm, it won’t be recognized. Open the design in any converter/embroidery editor and check the size. If the design is too large, resize it without stitch recount so as to preserve the decorative fills.
    P.S. Do not mistake the Giga hoop size with the maximum embroidery area!
    Embroidery design is not centered
    Some embroidery formats contain information about the positioning of the design along the X and Y axes. They convey this information to the embroidery machine, and, in case the design is off-center, the machine will fail to recognize it. This problem can be solved by using more complex converters or software specifically designed for the loading of the designs into the embroidery machine. As a rule, they center the designs automatically.
    P.S. This trouble is common for Janome embroidery machines, with their native JEF format. The ultimate fix is provided by Customizer or Embird. Convert the design, ticking the Center in the Hoop box.
    You forgot to load the design to the USB Flash drive
    Yep, it happens. Insert your USB flash drive in the port on your laptop or PC and check.
    Stitch count is too large
    This problem usually occurs on the old machines with small hoops, when one is trying to embroider PhotoStitch designs on them. It means the embroidery file contains more stitches that the machine can process. Solution: divide the file by color into two parts.
    USB flash drive is not compatible with the machine
    A home embroidery machine is a whimsical lady: sometimes the size is all wrong, sometimes it is the face (or, rather, the manufacturer) she takes an immediate dislike to. If nothing of the above has helped, get a new USB flash drive. Which one to choose? I won’t recommend any particular brands. In my experience, two machines of the same manufacturer and of the identical version treated the same USB flash drive differently: one easily recognized all files, the other refused to do it until they were saved in the special design loading software. Furthermore, the machine behaved in a strange way, stitching like there’s no tomorrow, once the USB flash drive was inserted. So, seek your own USB Flash drive, and ye shall find.
    Choose the smaller one. The smaller, the better. 
    If you have any questions or suggestions, please feel free to write us a commentary or start a topic in the community. May only the easy-to-read formats and universally accepted USB flash drives come your way!
    Original text by Lisa Prass

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